Collaborations between gaming and cultural heritage professionals have tremendous potential to generate new and valuable kinds of experiences.
Author: Ed Rodley
Assoc Dir. of Integrated Media at Peabody Essex Museum. Experienced museum professional. Into new media in general and always a sucker for a good narrative.
Playing With the Past, Part Two: Magic Circles and Interaction Alibis
Given what we know about play, games, and learning, what can we pull out of the mass of research? For me, the two biggest tools I’ve come across are the concepts of the magic circle and the interaction alibi. These powerful ideas have caused me to reframe a lot of what I thought I knew about museum experience design, and their potential in the heritage sector is vast, and as yet largely untapped methinks.
Playing with the Past, Part One: How Play Relates to Cultural Heritage
An examination of some of the qualities of heritage experiences that I have experienced to be particularly germane to this discussion.
Peeling the Onion, Part Three: Play
“Play” is a very big idea. Game playing is a very engaging activity, one that evokes a level of commitment and concentration in players that
Peeling the Onion, Part Two: Games
Part Two of this series explores the definitions and characteristics of games and how they differ fr cultural heritage experiences.
Peeling the Onion, Part One: Gamification
Does gamification work? What value does it have for cultural heritage professionals looking to engage audiences deeply?
