So, I’m not in Iceland as I’d planned to be. A cracked cockpit windshield, several hours of waiting, and a determinedly cheerful, “Flight cancelled! Come

thoughts on museums, content, design, and why they matter
So, I’m not in Iceland as I’d planned to be. A cracked cockpit windshield, several hours of waiting, and a determinedly cheerful, “Flight cancelled! Come
An initial literature review of references I’ve collected in anticipation of the CINE Seminar in Reykjavik on 16 MArch 2018.
MCN2017 is less than a month away, and I’m in crunch mode trying to finish preparing from my two sessions. If you’re going to be
Janet Carding and I have been talking about her upcoming CODE|WORDS essay on change management in the digital era, and one painful truth she points
What I find powerful about looking at the full stack of software platforms and services, is that it frees you from the mental constraint of the gallery, or the webpage. When you frame is an exhibition, everything looks like a kiosk. Same for good ole’ Web 1.0. The answer is usually a microsite or a web portal.
I’ve recently returned from a week in the Netherlands, filming for Strandbeest: The Dream Machines of Theo Jansen. We (the curator, our manager of AV