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Thinking about Museums

thoughts on museums, content, design, and why they matter

  • About
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  • Publications
    • The distributed museum is already here–it’s just not very evenly distributed
    • Humanizing the Digital: Unproceedings from the MCN 2018 Conference
    • CODE | WORDS: Technology and Theory in the Museum
    • A Series of Epistolary Romances. The second experiment by the CODE|WORDS collective.
    • Being teachable
    • Reprogram: Technology, innovation and culture in a new era of museums
    • Firearms curation in late seventeenth-and early eighteenth-century maritime contexts| A comparative study
    • Looking Around vs. Looking Down: Incorporating Mobility into Your Experience Design
    • MONA: Less is More
    • The Ethics of Exhibiting Salvaged Shipwrecks
    • Star Wars: Where Science Meets Imagination
    • So We’ve Got a Web Site, Now What?

Tag: PEM

View through an open doorway. A woman stands in the door looking left. Outside a crowd of people are running towards the left.

Where to now, friends?

July 15, 2020 Ed Rodley

What I’m interested in is where to go next, personally, professionally, and as a society.

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That Which Is Lost

January 30, 2016 Ed Rodley

One of the follow up conversations I had at MCN2015 was with Jeff Inscho about our Content session. It was a wide-ranging one, touching on

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From the PEM blog: Ghost hunting in Cuba with Magda

December 3, 2015 Ed Rodley

In the run up to the opening of our Alchemy of the Soul exhibition, I posted a short travelogue on the museum blog of our

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Drinking About Museums: Boston – March recap

March 2, 2012 Ed Rodley

Despite unusually seasonal weather, a brave group made its way north to Salem for our March Drinking About Museum: Boston meetup, at the Peabody Essex

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A Tale of Two Exhibits: “It was the best of times…” Part Two

October 22, 2010 Ed Rodley

Have you ever had one of those days when amazing things unexpectedly happen and make you remember why you go to work every day?  Tuesday

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Thinking About Museums by Ed Rodley is licensed under a Creative Commons Attribution 4.0 International License.
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